Next, you’ll work through a few step-by-step art pieces using the skills and tools learned throughout the book.īy the end of this Krita book, you’ll have a solid understanding of the Krita work environment and be able to bring your artistic visions to life with a myriad of leading industry-standard techniques. As you progress, you’ll get to grips with ‘key styles’ needed to make professional-grade digital art, through techniques such as photobashing, 3D paint-overs, and more traditional painting methods, along with covering how Krita handles these workflows. You’ll learn the functionality and tools of Krita for creating digital and print-quality work as well as explore manipulation toolsets, custom brush creation, overviews of color spaces, and layer management. This book provides a comprehensive look into functional tools, visual problem-solving, and leading painting techniques using Krita to unleash your inner artist. It allows for a fast, clean approach to creating digital art, without the hassle of pay-to-play or subscription license fees, but just like all other art software, it takes time and effort to learn it. In 2012, the Krita community created the Krita Foundation, to provide more support for development.Krita is a free, open-source digital painting program with industry-leading functionality and a creative suite of tools able to bring any visual idea to life. This experiment has resulted in a huge jump in stability and performance. Since 2009, the focus is squarely on painting: the Krita community aims to make Krita the best painting application for cartoonists, illustrators, and concept artists.įrom 2009 onwards, the Krita project started funding community members to work on Krita by way of student jobs, in addition to development funded through Google Summer of Code. In 2005, Krita gained support for CMYK, Lab, YCbCr, XYZ color models and high bit depth channels, as well as OpenGL support.įrom 2004 to 2009, Krita was strongly focusing on being a generic image manipulation/painting application in the style of Photoshop or GIMP. Initial development was slow, but picked up strongly from 2003, resulting in the first public release with KOffice 1.4 in 2004. The name KImageShop fell foul of trademark law in Germany, and KImageShop was renamed to Krayon, which also appeared to infringe on an existing trademark, so Krayon was finally renamed to Krita in 2002. It was going to be a corba-based application with out-of-process filter plugins, compatible with GIMP plugins, which are also out-of-process, though of course not corba-based. The basic idea back then was to make KImageShop a GUI shell around ImageMagick. Renamed to KImageShop, this was the start of Krita.Īt the 31st of May, 1999, the KImageShop project officially kicked off with a mail by Matthias Elter.

Not being in a position to work together, people within the KDE project decided to start their own image editor application Development focused on an application that was part of the KOffice suite, called KImage, by Michael Koch. His patch was never published, but did cause problems with the GIMP community at the time. Matthias wanted to show the ease with which it was possible to hack a Qt GUI around an existing application, and the application he chose to demo it with was GIMP. The origin of Krita can be traced to Matthias Ettrich’s at the 1998 Linux Kongress.

Krita drawing progran